For static subjects or scenes where you can pre-focus, you can shoot up to 15fps with the mechanical shutter or 60fps with the electronic shutter (focus is locked on the first frame). Panasonic Leica DG 100-400mm f/4-6.3 O.I.S. This compact Sony 35mm f/1.8 OSS lens (35mm equivalent of 52.5mm) is a leading Sony E-mount lens and can be termed as the best lens in the market for lowlight photography with a maximum aperture of f/1.8 coupled with Sony’s OSS image stabilization. With a fantastic body, a sensor capable of producing stunning images, and even scope for wildlife and action photography, the Fujifilm X-T3 is everything we wish the Sony A6600 was. Since we’re talking about an electronic shutter (so no mechanical curtains closing and opening in front of the sensor), you can shoot at 20fps with live view and no blackouts. With their compact design, improved performance, unique array of features and increasing number of telephoto lenses, wildlife photographers now have a fresh new set of tools to work with. It that became a reality, this section could get updated once again. Panasonic has made some improvements via firmware (version 2.0 especially), but the performance remains behind its competitors. 2 This product is also known as ILCE-6600, ILCE-6600M, ILCE6600/B, ILCE6600M/B 3 ©2020 Sony Electronics Inc. not the best solution if you are interested in 4K video as it lacks picture profiles and log gammas, which is a shame given the price. For instance, it gave me a much better keeper rate for birds in flight – around 74%, or 91% if I include the slightly soft images. Editor’s Rating: 4.7/5. I haven’t tested the camera yet but the sensor and AF are the same as the A6400. All of these lenses are sharp and the AF is perfect. Then we have the autofocus system which, with its 425 phase detection points and updated algorithm, is on par with, if not better than other cameras on this list in terms of performance. In addition to the 5-axis sensor shift, you can use Sync IS to combine sensor and optical stabilisation with select lenses. You have to rely on adapters and DSLR lenses, and if wildlife is your main interest, then it makes more sense to look for a DSLR body. The E-M1X uses a modified sensor from the E-M1 II. It’s the best Panasonic has ever designed in the Lumix range and comes close to the performance of the E-M1 II for both stills and video. This is why we put other cameras in front – their autofocus systems are simply better equipped for the most difficult of moving subjects. There is a rich range of physical controls including 19 function buttons and an AF Joystick on the rear (although I wish the latter weren’t so close to the EVF). This means that when following a difficult subject that temporarily moves to the left or right side of the frame, there is a higher chance the camera will be able to continue tracking effectively. It is less noticeable for birds in flight but slightly worse than the sensor readout of the E-M1 II and E-M1X. It’s simply incredible the power that I hold in my hands for wildlife photography. These specs make it highly appealing to bird photographers. Best overall kit: E-M1X, M.Zuiko 40-150mm Pro, 300mm Pro and MC-14 ($7150 / £6080 / €6730), Best kit with 1 lens: E-M1X, M.Zuiko 300mm Pro and MC-14 ($5850 / £5080 / €5530), Versatile kit with 1 lens: E-M1X and Leica DG 100-400mm ($4600 / £4070 / €4440), More affordable kit to begin with: E-M1X and Lumix G 100-300mm II ($3600 / £3300 / €3540), Sony FE 400mm f2.8 GM (600mm f/4 with TC 1.4x, 800mm f/5.6 with TC 2.0x), Sony FE 600mm f4 GM (840mm f/5.6 with TC 1.4x, 1200mm f/8 with TC 2.0x), Sony FE 200-600mm f/5.6-6.3 G (280-840mm f/8-9 with TC 1.4x, 400-1200mm f/11-13 with TC 2.0x), Sony FE 100-400mm f/4.5-5.6 GM OSS (150-600mm f/6.3-8 with TC 1.4x, 200-800 f/9-11 with TC 2.0x), Sony FE 70-200mm f/2.8 OSS GM (98-280mm f/4 with TC 1.4x, 140-400mm f/5.6 with TC 2.0x), the only mirrorless camera to truly match the AF performance of the best high-end DSLRs, the only mirrorless camera with a live view system that surpasses the performance of an optical viewfinder, up to 20fps with AE/AF tracking and no blackouts, the best for tracking birds in flight, very expensive if you want the fastest telephoto lenses. Is the a6600 … For Sony, 2019 was all about rolling out its latest autofocus technology, and ultimately this is the most compelling reason for buying the A6600. All of these lenses are sharp and the AF is perfect. But regardless of how good your camera is, the lens still makes up a lot when it comes to image quality! Best All-In-One Lens for Sony a6600. First is the price: the a6400 can be found for around $900 which is the cheapest option available on this list. The E-M1X comes with an advanced algorithm that can detect different types of subjects. In-body stabilization (IBIS): Sony’s full frame bodies have included stabilization in the body for the last several generations, while the Sony A6500 and Sony A6600 are the only aps-c mirrorless cameras from Sony with IBIS. Performance. It is interesting to see how the Sony A6x00 series evolved overtime. Your email address will not be published. The AF of the G9 excels in almost every way and in our in-depth comparison with the E-M1 II, we found it to be better in most situations except for birds in flight, or more precisely, birds flying against a busy background. Check price of the Nikon D500 onAmazon | Amazon UK | B&H Photo | eBay, Micro four thirds system – 20MP sensor – 60fps (S-AF), 18fps (C-AF). When you start to follow the bird and capture a series of images, the live view in your EVF is maintained without any lag, interruption or delay whatsoever. Check price of the Sony A9 II onAmazon | B&H Photo | eBay, Second-hand Sony cameras onMPB US | MPB UK, Guide:Wildlife and Birds with Sony A7 / A9, X-mount system – 26MP APS-C X-Trans IV sensor – 20 or 30fps (C-AF), live view and no blackouts. Read on to find our wildlife photography review of the Sony 200-600mm lens, including sample raw files for you to download and check out. From sweeping landscapes through portraits to sports and wildlife, Sony 18-200mm F/3.5-6.3 lens (35mm equivalent of 27-300mm) will cover it all. I don’t deny that some extra resolution would have been welcome, but it remains a very good EVF that delivers a clear and consistent view of your scene even when tracking very fast subjects. The 200-600mm has the most versatile range but you have to consider its size and weight when mounted on a compact body like the A6400. Lots of menu options to go through, with different functions thrown under random menus. It has everything you need including two SD card slots. The Sony a6600 is the top-of-the-line a6000 series camera for underwater photography – and Sony’s declared flagship camera at that. The continuous shooting speeds go up to 12fps or 9fps with continuous AF when using the mechanical shutter. The performance decreases even more if you shoot at 20fps with the electronic shutter, unlike the Olympus. The hybrid AF system is improved and while it doesn’t reach the same level as the A9, it is close. However, if BIF is not your main interest, the G9 could be exactly what you’re looking for. Before wrapping up, I’d like to mention other cameras we’ve used for wildlife photography. If a DSLR gives you the advantage of zero lag thanks to its optical viewfinder, the Sony A9 II goes a step further with its electronic shutter and live view with zero blackouts. Announced in August 2019, it replaces the three-year-old A6500 as Sony’s flagship body and like that model, follows the most recent unstabilised Alpha body, in this case, the A6400, by just seven months. In all honesty, I do not find Sony’s menu system particularly user-friendly. Getting on the ground is sometimes essential in wildlife photography. On the a6300 and a6500, the AF performance was good but not as fast as with native E-mount lenses. Animal portraiture and wildlife photography will never be the same, thanks to Sony's unique Real-time Eye AF for Animals feature. First we have the continuous autofocus performance. When the subject is close, there is a good amount of fine feather detail being resolved out of the lens. And soon the camera will get EyeAF for animals, which we already tested on the A7 III and found really effective. Photography Tips Bobby Vogt 5/8/20 Photography Tips Bobby Vogt 5/8/20. As Sony's new flagship APS-C camera, the 24.2-meagpixel A6600 has a lot to live up to. 1 The α9 and Sony full-frame cameras that were released after the α9. Two G-series APS-C lenses. 152mm 1/1600@f8.0 ISO5000. Sony 70-300mm f/4.5-5.6 G OSS Deals. The Sony Alpha a6600 comes with a 5-axis image stabilization mechanism which makes all compatible lenses stabilized by default. Update: the D500 has been defeated! Though the viewfinder is smaller than those of the other cameras listed here, it compensates for this with good clarity and a fast refresh rate (120fps). Panasonic G99. The X-H1 offers a larger grip and better ergonomics than other Fuji models which makes the camera more comfortable to use with large lenses such as XF 100-400mm. If you are a birding, wildlife, or sports photography pro the stand out feature of the Sony Alpha a9 II is its super-fast continuous shooting speed. Both cameras offer IBIS (In Body Image Stabilisation) technology, with the Fuji offering up to 6.5-stops of compensation, while the a6600’s 5-axis system offers 5-stops. The best option among APS-C lenses is the new 70-350mm. I have no doubt that most mirrorless cameras can do just fine if the subject is static or moving slowly but a fast bird of prey is another story entirely. View on Amazon . The super fast sensor readout allows you to shoot up to 20fps with AF/AE tracking without any distortion (rolling shutter effect). For many people, a camera like the A6000 will be a first mirrorless body unless you have a four figure budget to cater for the high end Sony A7 series. However in practical terms, I haven’t found such a big difference. It has to, because it ain’t cheap. I just wish some of the buttons on the rear could be larger (for back-focusing for example). Not only can the X-T3 shoot up to 11fps with the mechanical shutter without the need for an optional battery grip, but it can also reach speeds of 20fps or 30fps with the electronic shutter. Check Price: Canon Powershot SX70 HS: 4.0: 3.7. I had the chance to take wildlife pictures with various Panasonic cameras. The Sony a6600 will be available on November 29th, 2019, at a suggested price of $1400/€1600 body-only, and $1800/€2000 with an 18-135mm F3.5-5.6 kit lens. An evolution of Sony's Real-time Eye AF Sony's acclaimed AI-based Real-time Eye AF has evolved to a new level, now providing reliable real … The built-in image stabilisation remains the best on the market (it has an even higher rating than the already stunning E-M1 II). Before beginning, let’s have a quick run through the various features I analysed in order to compile this list. About other mirrorless cameras10. Speaking of lenses, Sony has increase the selection and there are now four specifically designed for wildlife: the FE 200-600mm f5.6-6.3 G, the 100-400mm f4.5-5.6 G Master, the 400mm f/2.8 G Master and the 600mm f4 G Master. With a large telephoto lens, you’ll feel the need to add a grip extender, the optional battery pack or at the very least, a thumb rest. It can record 4K up to 50/60p and offers slow motion capabilities up to 180fps in 1080p, although unfortunately you can’t control the exposure manually. Shutterbug was at Sony’s USA headquarters in San Diego, CA last week for the launch of the A6400 mirrorless camera, which features a 24.2MP APS-C Exmor image sensor and Sony’s latest BIONZ X image processor. The maximum speed is 10fps (or 8fps with live view) with decent buffer capabilities. Staff member. Panasonic Leica DG 50-200mm f/2.8-4 O.I.S. At its affordable price, the camera still manages to compete with other Flagship cameras such as the Fujifilm X-T3! Sony A9II. Really Right Stuff quick release plates are custom designed to securely fit to your Sony A6600 camera. Four Tips to Make Better Black and White Wildlife Photos The E 16-55mm F2.8 G is its new flagship standard zoom, with a fixed f/2.8 maximum aperture. In this article, we will go over important information on what settings are recommended for day-to-day photography and videography needs, as well as explain what some of these settings do. The continuous shooting speeds go up to 8fps, or 11fps with the optional battery grip. Specifically for Wildlife Photography: Specifically for Product & Still life Photography: Extra Batteries: SD Cards: Is the a6600 a good camera for you? Check price of the Panasonic Lumix G9 onAmazon | Amazon UK | eBay | B&H Photo, Second-hand Panasonic cameras onMPB US | MPB UK, Guide:Best G9 Settings for Birds in Flight. The shutter release button is a little too sensitive for my taste but others may prefer it that way. SD Cards: Sony 64GB High Performance Class 10 UHS-1/U3 SDXC. The recognition of Sony’s E-mount has additionally attracted third-party producers. Excellent … A combination of an APS-C sensor, 5 axis in-body image-stabilization, 4K video (no crop), AF tracking, and battery life makes it the ideal mid-range camera for underwater photography. continuous shooting speeds up to 60fps and 18fps, the Pro Capture mode lets you save images before fully depressing the shutter release button, state of the art image stabilisation for stills and video, EVF with large magnification and 120fps progressive scan, weather sealing, dual SD card slot, excellent battery life, the 20MP sensor has improved dynamic range but you won’t reach the same kind of quality as larger sensors, Pro Capture works with Panasonic lenses in H mode only, it is a large investment if you want to work with the best lenses. Greater than ever earlier than, Fujifilm’s new X-T4 takes Sony head-on, placing the highly effective A6600 to the take a look at. Shooting photos of birds is tons of fun, but what’s it all for if the image quality doesn’t inspire more creation? With the a6600 one at least has access to nice compact lenses befitting of the camera body, like the OSS 16-55 F/2.8 and 70-350 F/4.5-6.3. We were not asked to write anything about these products, nor were we provided any compensation of any kind. Last but not least, which systems or cameras perform best? The Sony A6600 is an upper mid-range mirrorless camera with a 24 Megapixel APSC sensor, built-in stabilisation, 4k video, 11fps bursts with autofocus, and increased battery life. The 4K video quality on the other hand is a big step forward and includes 4K video recording up to 60fps in 10-bit, as well as a maximum of 120fps in 1080p. The a6600 offers Sony’s acclaimed Real Time Animal AF focusing technology. It is the most reliable camera I’ve ever used for hand-held shooting, be it for stills or video. Sony announced follow ups to two of their most popular (and top selling) camera models, these new releases are the Sony A6600 and the Sony A6100. Why the Fujifilm X-T3 can be an interesting choice for wildlife and bird photography: Preface I: what makes a mirrorless camera good for wildlife photography, Preface II: Nikon D500, the one to beat for birds in flight, Birds in Flight Settings for the E-M1 II and E-M1X, Olympus OM-D E-M1X vs E-M1 II – The complete comparison, E-M1 II, firmware 3.0 and birds in flight, Sony A7R III vs A7R IV – The complete comparison, Sony A7R III vs A9 – Five key aspects analysed, Fujifilm X-H1 vs X-T3 – Comparison preview, The Best Mirrorless Cameras for Birds in Flight Ranked, The Complete Guide To The Best Mirrorless Cameras, Panasonic G9 vs Olympus OM-D E-M1 II – The complete comparison, Olympus OM-D E-M1 II vs Fujifilm X-T2 – The complete comparison, Sony a6500 vs Fujifilm X-T2 – The complete comparison, Sony A7 III vs Fujifilm X-H1 – The complete comparison. Below you can see a video taken in a recent trip to Scotland, all filmed hand-held with the Leica DG 200mm f2.8 lens and TC 1.4x. Amongst the negative things to point out, there is the short battery life and the lack of an official battery grip, although some third-party manufacturers such as Meike provide one (check our accessory list to find out more). Thanks to its phase detection system, the camera can work with Sony A-mount and Canon EF-mount lenses when paired with a compatible adapter. Bear in mind though that there is still some distortion due to rolling shutter. Still, you can shoot at 20fps with the full width of the sensor, and even better, all these speeds are available with live view and no blackouts, just like the Sony A9. Sony A7 III, A7R III, A9 Wildlife Photography: Drive Mode. The buffer capabilities are not particularly good when shooting at these high bursts, but one alternative is to take advantage of the 6K/4K Photo mode, where you can record 6K/4K videos at 30fps and save any frame you want as an 18MP or 8MP JPG. Sony E 70-350mm f/4.5-6.3 G OSS with Sony A6600 1/30sec at f/13, ISO6400. Using the E-M1X with the same telephoto lenses I used with the E-M1 II before didn’t force me to upgrade my backpack, so in the end the difference isn’t as big as you might think. Unfortunately you don’t get a blackout-free live view as you do with the Sony A9 or Fuji X-T3. Here is the selection thus far: Here the best choice is the new 100-400mm G Master but like many Sony full frame lenses, it comes at a rather expensive price in comparison to other offerings which cancels out the advantage of a cheaper camera body. This iguana in Costa Rica wasn’t going to come to me! Sony has pioneered the development of mirrorless cameras, often outperforming dominant brands like Canon and Nikon to produce world-leading models of this popular modern compact system camera. There is also a mode called Pre-Shoot, which like Capture Pro on the E-M1 II, allows you to save pictures before fully pressing the shutter release button. Certainly the old rule applies – a body with a larger sensor can give you better dynamic range or high ISO performance – but I can safely say that I got good results with all the models listed here. You still get 20MP but the improved dynamic range when recovering the shadows is certainly welcome.

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