A database of all tests will be available, we are still working on this. The Nikon F6 film SLR camera is now officially discontinued, FilmConvert Releases Sony a7S III Camera Pack for Fast Film Stock Emulation, Stock Notice: Canon RF 85mm f/2 Macro IS STM in stock at Adorama, TDM Audio Pro UVC Case Disinfects Your Microphones, Today only: Save on the MFT Auto Extension Tube Set and Atomos SSD. Using our strobe light at 300Hz, we get a sequence of black and white bars due to the nature of read out of CMOS sensors. Image plein format immersive pour une reproduction fidèle des couleurs. The dynamic range of the C500 Mark II with the internal 10-bit XF-AVC codec at UHD 25fps with Canon Log2 / C.Gamut (color matrix "Neutral") is very strong 13.1 stops With a signal-to-noise ratio of 2, see Figure 1 below (noise reduction "off"). Fig. Consultez notre site Web pour découvrir notre gamme de caméscopes. 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 The waveform of the Xyla21 stepchart confirms this: Fig. So without further delay lets jump right into the lab test …. Read on …. Using the Canon EOS C500 Mark II instead of the larger EOS C700 FF also meant the camera could be rigged up with monitors and follow-focus rigs, or stripped back to make it as light and compact as possible for use on a drone or gimbal. Deux logements de carte CFexpress. I would be curious to see some independent test. 5 years ago | 15 views. La Canon EOS C500 Mark II est une caméra compacte et polyvalente équipée d’un capteur type plein format 5,9k et du processeur DIGIC DV 7. Hoping Monstro VV, FX9, Venice, C700 FF & Alexa LF will make their way to the Lab at one point :D. Thank you Christopher for your nice comment! Elle produit ainsi des images d’un aspect cinéma réaliste, avec un effet d’immersion spectaculaire grâce au plein format et au savoir-faire de Canon en termes de rendu naturel, de douceur des tons chair et de fidélité des couleurs. That’s where lab testing is really helping. Fig. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. This result comes directly behind the ARRI Alexa (14 stops), and is the second-highest value we measured so far – pushing the Panasonic S1H (12.7 stops) from the second to third place! The C500 Mark II clearly sets the benchmark for 2020 so far in our testing using a 6K Full frame sensor. 6: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. From there we successively underexpose the studio scene by increasing the shutter speed to 180°, 90°, 45°, 22.5° and finally 11.25° (5 stops underexposure). Retour à la présentation du produit. The standard EF mount is non-locking. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Does the Canon EOS 6D Mark II dynamic range suck?. So without further delay lets jump right into the lab test … Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here. by Sebastian Wöber. Also would like to see the new BM12K when you can get one. Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected. And got the same result as with other recent raw cameras before: using plain raw without any postprocessing, the images are very noisy. 8: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. +1 for Ryan and FX9. MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, Top 10 NikonRumors posts for November 2020, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Will the Canon EOS R5s come with a pixel shift like feature? Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter. And also Mini LF and especially Monstro would be really interessant see in comparison! No Reds tested yet? Canon EOS C500 Mark II | Caméscope | Retrouvez toutes nos publications, meilleurs prix et bons plans, avis et actualités sur ce modèle. RED Dragon vs Canon C500 Test. Is there a database for all your results? The new Tamron 17-70mm f/2.8 E-mount lens will be announced tomorrow! The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. The dynamic range is crazy, over 15 stops for sure. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Thanks!! A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. DIGIC DV7. carlosq00. Lens Mount. Thank you for this great review. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for HDR recording and low noise. It would be nice to have a dedicated section where we can just go to and reference at any time. It depends on the lenses you are going to use it with. SIGMA fp), while for instance the Panasonic S1H falls around 25ms. Enregistrement interne jusqu'à 810 Mbit/s . 8:09. Credit: Brett Danton. RED Dragon vs Canon C500 Test. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). Using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold value and 5 spatial threshold) it cleans up OK – still noticeable are vertical and horizontal stripes, but you could get away with this image. Type. In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. 15:37. Let us know in the comments below. You are right, we should try to get one of the latest Arri cameras in the lab. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter April 15 th, 2020 fiber_manual_recordGunther Machu 30. Really enjoying the Lab test section. 7:00. Check out the BTS clip: Dear Jamie, see Johnnie’s comment above – we are working on this. What are your experiences with the Canon C500 Mark II so far? Higher res would be useful for stability options in post and always wanting for better dynamic resolution. And the Canon C500 Mark II does not disappoint – the results is almost perfect: very little noise is present, more as a fine grain which looks very good. 3: Canon C500 Mark II rolling shutter for 17:9 5952×3140: very good 15.8ms are measured. Hi guys,I agree with Rick Leads; getting lab results from both the original Alexa Mini (S35) and the Alexa LF would make all your other camera tests so much more useful. Well, I did. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. 2019 has been a quiet year for Canon’s Cinema EOS lineup, with only the announcement of the long-awaited Cinema EOS C500 Mark II. Will it take the crown in our lab tests? While technically there from a dynamic range standpoint, it would not be a useful for photography. Then, in post production (using DaVinci Resolve 16.1 studio) we push the underexposed images back to the 0 exposure value. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. Fixed! What goes without saying is that in the hands of an expert the 6K RAW files provide even better flexibility in post, especially the heavily underexposed images. In September we published our lab results of the Canon C300 Mark II dynamic range. How Image Engineering Tests for Dynamic Range. Canon also doesn’t let you control the focusing motors in their own lenses. Enregistrement Cinema RAW Light 5,9K interne. With a dynamic range of 15+ stops using Canon Log 2, and the option of recording in either Cinema RAW Light or Canon's XF-AVC format, the Canon EOS C500 Mark II captures footage that can be successfully put through such a workflow, be that in PQ or HLG. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". There's a lot of chatter about the dynamic range on the Canon EOS 6D Mark II but I thought I'd go do a bit of research and see what some of the folks I respect who do camera reviews have had to say about the Canon EOS 6D Mark II dynamic range. Canon EOS R5 Overheating … Canon sells the following two adapters, both with shim kits: 1. Sony registered two new cameras at the FCC: New A9III and A7IV??? No spam, guaranteed! The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of … The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. 60% luma value on the waveform monitor, the white sheet of paper below the color checker comes in at around 65%. Report. Finally, we are reaching now the 5 stops of underexposure. Just so I understand you, EF lenses are brilliant when you need a Canon adapter but hobbling when you don’t. Could you guys do a cumulative chart of all of the cameras you’ve tested thus far for DR and Rolling Shutter (ms)? Very usable still. Fig. Test Canon EOS C100 Mark II Par Arthur Azoulay , Focus Numérique ( @Lesnums ) Publié le 08/04/15 à 10h28 Mis à jour le 08/04/15 à 10h28 Canon Log 2: 1600% / 15+ stops Canon Log 3: 1600% / 14 stops Wide DR: 800% (at ISO 400) Image Processor. Advertisement. Fascinated by the new possibilities with small cameras. The horror. This gives a base exposure of 360° shutter at f4.0 at ISO800 (UHD 25fps) – our 0 stops under baseline (internal noise reduction “off” for all tests). Will it take the crown in our lab tests? The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. More or less the same holds true for the image in figure 6: at 4 stops under, pushed back to zero the image is still quite usable. However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. And if so would it be possible to have in practice a Noise Reduction ‘LUT’ so to speak from manufacturers? He also gave props to the fact that the Canon had internal ND filters and doesn’t need to be built out as much. Most interesting about this test was the fact that according to our own parameters the dynamic range was closer to 12 stops, while Canon markets 15-stops of dynamic range … EF locking (CM-V1) 2. But yes, the assumption is correct, rolling shutter should be significantly better in Super 35 mode. Canon EOS C500 - IDIFF Salon de l'image animée - … Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. It’s frustrating to have what would otherwise be the right camera for my needs hobbled by the use of EF or PL mounts rather than the much more versatile and future-proof RF mount. Lens. The Canon C500 Mark II. Let’s jump ahead and have a look at the image which is 3 stops underexposed, and pushed back in post – remember, this is the point where most of the previously tested cameras start to fall apart: Fig. EF to PL mount (PM-V1) 3. 7: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. If you’re using cine lenses or heavier zoom lenses then definitely yes. Would love to see the Sony FX9 tested as well. Capteur CMOS plein format 5,9K. Seems like we are jumping from one fantastic result to the next – the rolling shutter at 6K RAW (5952×3140, 17:9) comes in at a strong 15.8ms – see figure 3 below. Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. And you won’t be disappointed ;-). Which led me to think – does all in camera noise reduction inherently look better than using a NLE program since the NR algorithm is searching for a specific fixed noise pattern from a sensor’s circuitry versus a universal one? Surprisingly, using noise reduction in post production leads to an image you may still get away with – noise is rather finely dispersed and not too distracting (however, faint horizontal and vertical stripes are appearing) – see figure 9 below: Fig. Please have a look at how we test dynamic range of cameras here. Thank you Dr. for the results! Mannie Noemi. Découvrez le Canon EOS C500 Mark II, le système Cinema EOS nouvelle génération équipé d'un capteur plein format 5,9K. The analysis consists of checking how the camera renders the gray patches. Because they want to sell you $5000 cinema lenses. Is it more close to the C200, C500 Mark III or is it an upgraded version of the mighty C300 mark II? Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. Can you please test the Panasonic EVA1, too? You mention the chart but I don’t see a link? Published By: CineD - Wednesday, 15 April, 2020, Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter, Olympus Germany managers says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video, Olympus Germany manager says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. Theoretically the result would be much better than the 5.9k full frame readout, correct? Would love to see the latest and greatest Arri results as that should be the gold standard. Plus you should make the list of links to all your tests and results easier to reach because they are extremely thorough and useful and now they are spread over the years. Caractéristiques. Camera News. I use the Original Canon C500 with the CD raw recorder/monitor and have been happy with results. Why? Most cameras break apart at 3 to 4 stops underexposure. Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. The chart consists of gray patches that show a well-defined and regularly re-measured luminance (in unit cd/m2). Fig. Oh, great to hear – you won’t be disappointed by your new baby! Is there an explanation on the difference between imatest and xyla ? Colombo thought that the footage showed off the slight difference in dynamic range between the cameras, with the Canon C500 Mark II doing a better job with a bit more details in the shadows. Should you opt for a locking mount? Also here, using the internal 6K RAW results in much noisier images than the internal 10bit XF-AVC provides, so in order to have a better “out of the box” baseline when comparing these images to previous cameras, I decided to show you the internal XF-AVC 10bit images. Passionate shooter who isn't doing this for a living. Browse more videos. No camera so far has survived this torture test. Canon EOS C500 Mark II. And surprisingly (or maybe not), in real world usage, there's not a lot to complain about. Filming in Cinema RAW Light, I shot at the base of ISO800 the entire time and in the edit added no noise reduction, yet I can’t see any noise at all. Surprisingly good however. Step 12 looks even less useful and the half stop of 13 is not use able. URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test January 9 th, 2020 fiber_manual_recordGunther Machu 36. Thanks Rick. Dear Pablo, no, we have not tested this camera yet. Is there a test like this with the Varicam LT?? We only send updates about our most relevant articles. But, five days is more than enough time to realize the Canon C500 Mark II is a beautiful camera capable of so much more than just helping craft a … Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. Can’t wait! B4 mount lens via adapter accessory (EF or PL) Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: … Very noisy, and horizontal as well as vertical stripes start to appear. The waveform of the Xyla21 stepchart confirms this: Fig. Even when the second best option is selected, the internal XF-AVC 10bit codec, the results are still fantastic (internal 6K 12 bit raw requires more post processing). :). In addition, the internal XF-AVC encoder manages to encode the noise as finely dispersed grain, hence you can add noise reduction in post production and you get a very usable image – for examplethe noise in the lower right hand side of figure 6 cleans up well – see figure 7: Fig. B4 mou… 4: base exposure of our studio scene for the Canon C500 Mark II, using CLOG2 with the internal XF-AVC 10bit codec at ISO800. Considering the BM12K (looks like better color now) or the Canon C500 MII once it is discounted. This is the best result we have measured on a full frame sensor so far! Fichier RAW efficace sur CFexpress. September 24 th, 2015. and could never get clips as noise free in Resolve or Final Cut Pro without losing detail as the built in H.265/H.264 files. Interesting that you mention this noise reduction difficulty with the RAW files, I had a very similar experience and thought – a manufacturer’s “sensor noise footprint” which you could use in Resolve to make this easier. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, https://www.slashcam.de/4K-Kamera-Vergleich.html. [CR2], GoPro Karma Drone – Controller Pairing Issues. Dear Anthony, we try to test as many cameras as possible – with a preference to test the latest cameras on the market as testing takes a lot of time. Please have a look at how we test dynamic range of cameras here. Each pair represents 3.33ms. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. I know many existing workflows are not using RF, but Canon’s own brilliant RF to EF adaptors solve 99% of these issues. Advertisement. This test reveals a lot of insight about how well a camera (and the used codec) retains colors and detail. Secondly, the larger sensor …

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